Inspired by family, Costa Mesa Realtor re-creates citywide holiday contest from 1960s

Inspired by family, Costa Mesa Realtor re-creates citywide holiday contest from 1960s

Kendra Fisher was clearing out the garage of her grandparents’ Costa Mesa home during the pandemic, when she discovered a box of trophies and Daily Pilot newspaper clippings that shed light on a lesser-known part of her family history.

From 1959 well into the ’60s, John and Rosalie O’Brien were recognized as the winners of a citywide holiday decoration competition, even nabbing top prizes in an “Inter-city Yule Contest,” for large-scale displays that would have families lining up around the block just to get a glimpse.

“My grandpa was super creative — they built a train set and a huge rocket — people knew he was going to do something special, so they looked forward to going to their house,” Fisher said.

The O'Brien family at their Molokai Place home in Costa Mesa, known for larger-than-life holiday displays in the 1960s.

The O’Brien family at their Molokai Place home in Costa Mesa, known for larger-than-life holiday displays in the 1960s.

(Courtesy of Kendra Fisher)

“I knew about it vaguely but didn’t realize the extent of it until I was cleaning out their garage,” she continued. “Then, I was like, wait, why don’t we do that now?”

A new member of the Torelli Realty team, Fisher decided to try and resurrect the contest by creating a brand-new holiday decoration competition in Costa Mesa.

“I feel like there’s this sense of tradition behind it, and tradition is so important in cities, neighborhoods and towns,” she said of her inspiration. “It’s an easy way to bring the community together.”

To help pull off the feat, Fisher enlisted the help from local business owners, including Ally Garvin, who owns Neat Coffee on Pomona Avenue. Together, the pair have been passing out fliers to let people know about the contest.

Kendra Fisher, right, with grandparents John and Rosalie O'Brien, of Costa Mesa.

Kendra Fisher, right, with grandparents John and Rosalie O’Brien, of Costa Mesa. Fisher was inspired to host a holiday home decoration contest after finding old trophies in the O’Brien’s garage from a similar competition in the ’60s.

(Courtesy of Kendra Fisher)

Families and individuals, or even entire streets, can enter the competition. But to cast an even wider net, judges have committed to driving through the streets of Costa Mesa on Friday, Dec. 10, in search of stunning holiday displays.

Individual trophies for Best Theme, Most Creative and Best Overall displays will be handed out Dec. 11 in a special ceremony and movie night with hot cocoa and refreshments at Neat Coffee. Winners will be announced at 6 p.m., and the movie will start at 7 p.m.

Garvin said she hopes to help Fisher create a new way for people from the local community to come together and celebrate.

“It sounded like a real fun to create a new tradition and make it feel a little bit more like a hometown,” she added. “A lot of people already decorate their homes for Christmas, and it brings so much joy to the neighborhood.”

In an interview Thursday, John O’Brien said he had no doubts his granddaughter would be successful in her attempt to resurrect, in some manner, the competitions of yore.

“She’s unique — she goes full speed ahead in everything she does,” he said.

A Daily Pilot clipping shows the O'Brien family of Costa Mesa receiving an award in an Inter-City Yule Contest in 1961.

A Daily Pilot clipping shows the O’Brien family of Costa Mesa receiving an award in an Inter-City Yule Contest in 1961 for the best holiday home display.

(Courtesy of Kendra Fisher)

He recalled the very first year he and his wife entered the citywide contest in 1959, having moved to a house on Costa Mesa’s Molokai Place from Glendale. He worked on the yard while Rosalie decorated the door and sewed clothes for the elves in the display.

Little did they know that decision would snowball into local fame.

“We saw an advertisement for it in the paper, so we got going on it and had really good success with it for a few years. It became like a tradition to enter,” O’Brien said, recalling the time he built a huge train in the yard.

“It had an engine and an open boxcar that had presents and toys coming out of it,” he said. “The locomotive had a smokestack with steam coming out of it and wheels turning. It brought joy to a lot of people.”

As for Costa Mesa homeowner Alli Talley, she, her husband, Bobby, and 1-year-old son, Jude, are all in. They’ve decorated their 19th Street home with lights and inflatables — all the things as a young married couple they sweared they’d never do.

“We’re just embracing it all. It’s so fun,” she said Friday. “I don’t think we’ll win any awards with what we have, but we’ll totally be in it.”

Those interested in entering the holiday decoration competition can call Fisher directly at (714) 606-3376 or email Kendra@torellirealty.com. Participants can also sign up at Neat Coffee, 1922 Pomona Ave., in Costa Mesa, from 7 a.m. to 4 p.m.

Bobby Talley, and his son, Jude, with an inflatable Frosty the Snowman at their house in Costa Mesa on Friday, Dec. 3.

Bobby Talley, and his son, Jude, with an inflatable Frosty the Snowman at their house in Costa Mesa on Friday, Dec. 3.

(Scott Smeltzer / Staff Photographer)

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The Home and Garden of This Los Angeles Ceramicist Inspired His Latest Collection

The Home and Garden of This Los Angeles Ceramicist Inspired His Latest Collection

Los Angeles–based ceramicist Eric Roinestad had an exhibition slated for May perhaps 2020. Needless to say, that did not occur. But currently being caught at home was fantastic by him. “I’m a homebody anyway,” he admits. “I just commenced concentrating on the environment all over me—the animals, the crops, the vibe. And the total clearly show came alongside one another.”

Opening September 16 at layout gallery the The Foreseeable future Perfect’s Casa Excellent area, said lastly-appear-to-fruition display is loaded with the fruits of that time at dwelling. Prior to shipping the performs across the country, Roinestad captured several of his new ceramic critters and other confections in the place that encouraged them—his dwelling. Snakes coil around table lamps and vessels, cats peer out from the back garden, owls flank the fire. California poppies poke their heads out of wine bottles—“we consume a lot of wine all over in this article,” Roinestad jokes (these wine bottles are also manufactured from ceramic).

Roinestad, who labored as an artwork director and graphic designer—most not long ago for Capitol Information, just before he turned to ceramics—has lived with his husband or wife in L.A.’s Highland Park neighborhood for 20 several years. The pair are the 2nd-at any time owners of the 1930s Spanish household, which is set on a roomy home. About the yrs, they’ve manufactured it their personal. The vacant good deal driving them (after the tennis courts of a wealthy neighbor) became a lush backyard garden, planted with indigenous California plants, shrubs, and trees. The disconnected garage in the back with sliding barn doors and huge home windows became Roinestad’s ceramics studio, where by his vessels and objects arrive to life through a bespoke method of wheel throwing and creating.

Inside, the couple’s adore of collecting is on whole exhibit: Treasures by the likes of Jean Royère, T. H. Robsjohn-Gibbings, Charlotte Perriand, and Børge Mogensen mix in with a charming collection of wood Monterey furniture. The latter is a type of folk design that developed in California through the 1930s, which was specifically meant for the kinds of properties Roinestad now inhabits: “The makers would search at the home furnishings in the Western films and type of make that previous, worn-out Spanish household furniture.”

A long time of design obsession and accumulating have also influenced Roinestand’s perform in relatively nuanced methods. “A good deal of the types have evolved from factors I’ve investigated, like metallic Italian and Finnish lamps,” he explains. And certainly in his newest works you can detect a nod to Poul Henningsen and Achille Castiglioni. “I imagine it’s attention-grabbing to consider these varieties and produce them in stoneware, a entirely different material. It’s a full different vibe.”

Roinestad, who, for the instant at the very least, operates alone, says his time hunkering down has been very good for his do the job: “I assume I bought in my head extra,” he describes. “It designed me concentrate a great deal.” And now he has an exhibition to demonstrate for it.